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Mixed media by Megan Clay.
“I’ll Ride the Wave Where It Takes Me,” photography and mural collage by Caitlin Tricomi.
Photography to accompany “Sitting Up,” poem by Paul McAfee. Taken in 1969 near Pleiku, Vietnam, during the Vietnam War.
Photography to accompany “Sitting Up,” poem by Paul McAfee. Taken in 1969 near Pleiku, Vietnam, during the Vietnam War.
Photography to accompany “Sitting Up,” poem by Paul McAfee. Taken in 1969 near Pleiku, Vietnam, during the Vietnam War.
“Sitting Up,” scan of poem as it was written in Vietnam by Paul McAfee.
“Pushing past the hardships,” acrylic and modeling paste artwork by Caitlin Tricomi.
“Keep on truckin,'” photography by A. Slatton.
“Remember the 17 Lives When You Turn 18,” poster by Caitlin Tricomi.
Human Rights Art Project by POLS 374 (Human Rights and Artistic Representation) with Dr. Ken Betsalel
Students used burnt charcoal, pencils, erasers, & rags to write, remove, blur, mix, and rewrite lines of poetry along with their own thoughts on cut up and discarded sections of an artwork found next to a trash barrel in the neighborhood . Works written about include the Chinese dissident poet Bei Dao ‘s book, “The August Sleepwalker”, the exiled Iranian poet, Fetmeh Shams and her work “When They Broke Down the Door” and poems drawn from the collection “After Every War: Twentieth-Century Women Poets” and Carolyn Forché, edited collection “Against Forgetting: Twentieth Century Poetry of Witness.” 
Humans Rights Art Project by POLS 374, 2 of 3.
Human Rights Art Project by POLS 374, 3 of 3.
“Just Breathe,” mixed media collage by Caitlin Tricomi.
“isolated dream pop,” 1 of 3 photos by Maddie Kendrick.
“isolated dream pop,” 2 of 3 photos by Maddie Kendrick.
“isolated dream pop,” 3 of 3 photos by Maddie Kendrick.